Tarah Hogue is the 2016 Audain Aboriginal Curatorial Fellow with the Art Gallery of Greater Victoria, and Curator at grunt gallery in Vancouver. Her work with Indigenous People in Canada aims to decenter institutional space and history. Using collaborative methodologies and a careful attentiveness to place, she prioritizes responsible research methodologies of Indigenous knowledge that are grounded in the intersectional practices of Indigenous feminisms, re/conciliation, and cultural resurgence. Hogue is Métis/French Canadian and of Dutch Canadian ancestry, she grew up in Red Deer Alberta, on the border between Treaty 6 and 7 along the original trading route of the Métis. She identifies as an uninvited guest on the unceded Coast Salish territories of Vancouver BC where she has lived since 2008.
Recent curatorial projects include #callresponse, a series of local art commissions centering Indigenous women and artists accompanied by a touring exhibition with guest respondents at grunt gallery, co-organized with Maria Hupfield and Tania Willard; Unsettled Sites, a group show on haunting settler colonialism at SFU Gallery; and Cutting Copper: Indigenous Resurgent Practice, a collaboration between grunt gallery and the Morris and Helen Belkin Art Gallery UBC, co-organizer Shelly Rosenblum. The symposium brought together live performance art with a panel of Indigenous theorists and curators around the exhibition Lalakenis/All Directions: A Journey of Truth and Unity by Kwakwaka’wakw artist Beau Dick. Previous exhibits featured the work of residential school survivors in Canada and their descendants, including NET-ETH: Going Out of the Darkness, co-curated with Rose M. Spahan, Malaspina Printmakers; and Witnesses: Art and Canada's Indian Residential Schools, at the Morris and Helen Belkin Art Gallery, co-curated by Geoffrey Carr, Dana Claxton, Tarah Hogue, Shelly Rosenblum, Charlotte Townsend-Gault and Keith Wallace. She also curated No Windows, Satellite Gallery; Facing the Animal, Or Gallery; and is co-founder and curator of Gam Gallery with Julia Kreutz, an exhibition space and artist studio located in Vancouver’s Downtown Eastside. Hogue is writer-in-residence for thirstDays with VIVO Media Arts, and has written for BlackFlash Magazine (forthcoming) Canadian Art, Decoy Magazine, Inuit Art Quarterly, and MICE Magazine (forthcoming). She holds an MA in Art History, Critical and Curatorial Studies from the University of British Columbia and a BA(H) in Art History from Queen’s University.